Post Number 87: My Week In Not Paris with Deborah Levy

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I have grasped the precursor to enjoying Deborah Levy’s fiction. Problems in her characters’ lives are not to be solved but lived through. With that, I settled into her latest fiction, ‘My Year in Paris with Gertrude Stein’, which follows an unnamed narrator who is temporarily in Paris, and a divorced English woman tasked with writing an essay on Gertrude Stein.

Set in November 2024 against the aftermath of the US elections, it follows our struggling narrator as she juggles a new city, new friends, no lover, a missing cat, mice in her apartment, and an essay that is yet to transfer onto paper.

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Post Number 83: Slouching Towards Mediocrity

I spent the last two weeks reading Arundhati Roy’s memoir ‘Mother Mary Comes To Me’. It is a fabulous book written at the confluence of memory, identity, and literature. She captures the push-and-pull of growing up under a mercurial parent with microscopic clarity. She was raised by a firecracker of a personality in her mother (named Mary) who was an outspoken, combative, feminist divorcée in a time when it wasn’t ideal to be any of those things. I was drawn to Arundhati’s story, particularly the ages at which her milestone events occurred. Left home at 16. Married at 17. Divorced at 21. Remarried at 23. National Award at 27. Booker Prize at 36. 

I have always found it fascinating to map the age at which someone’s big moment(s) happened. For a while, it was simply an idiosyncratic fad. Now, this habit is yielding an unexpected consequence – it is behaving as a clarion call from the great beyond.

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