Post Number 86: Martyr! and the dream of a meaningful life

“My God, I just remembered that we die.” – Clarice Lispector

Last month I read (and adored) Kaveh Akbar’s novel, Martyr! My friend and I had decided to buddy-read it. It took us longer than we had intended because jobs, travel and illness – all impeded our progress (this dash is not AI, I promise). Nevertheless, we kept peppering our Whatsapp chat with observations and voice notes, thoroughly engaged in Akbar’s fiction. 

Martyr! (exclamation intentional) is the story of Cyrus Shams, a near-30, queer, Iranian poet living in Indiana, USA, recovering from addiction, and desperate to devote himself to a life that has meaning. A globalised denizen with a fleeting connection to his Iranian side, Cyrus is very much at a crossroads in his life. Still processing the senselessness of his mother’s passing in the shooting of the Iran Air Flight 655 (which I was horrified to learn was a real event), he is obsessed with death, dying, and the ideas that propel people to sacrificing themselves. 

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Post Number 85: Are You A “Real Reader” If You Jump For Free Books?

The 2026 edition of the World Book Fair in Delhi saw a footfall of two million. I contributed twice to that falling of the feet. I went twice, not that I hopped twice at the entrance to fudge the count. This is a weird start. The book fair was a success since I purchased a ton of titles and received sturdy tote bags to carry home. I also resisted the urge to eat cold junk food at the stalls by going to Pandara Road and having hot junk food there (#health).

I have gone to the book fair pretty much every year since 2010 yet every year I’m surprised at the strength. I go for the books and when I browse them, I tend to be like Bradley Cooper in ‘Limitless’. But when strangers keep crossing you every two seconds, not only does your focus suffer, you eavesdrop even when you don’t want to. You hear people pick up titles and moan that they could buy it on Amazon (so why’d you come?) or uncles who list all the stories of Chughtai they have read so they only want a book which features the rest or college students collectivizing their wallets and banishing titles five steps away from the billing counter or people on a date discussing their literary tastes (he was a Simon Sinek and self-help dude, she was an Ali Hazelwood and Korean thrillers gal.)

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Post Number 83: Slouching Towards Mediocrity

I spent the last two weeks reading Arundhati Roy’s memoir ‘Mother Mary Comes To Me’. It is a fabulous book written at the confluence of memory, identity, and literature. She captures the push-and-pull of growing up under a mercurial parent with microscopic clarity. She was raised by a firecracker of a personality in her mother (named Mary) who was an outspoken, combative, feminist divorcée in a time when it wasn’t ideal to be any of those things. I was drawn to Arundhati’s story, particularly the ages at which her milestone events occurred. Left home at 16. Married at 17. Divorced at 21. Remarried at 23. National Award at 27. Booker Prize at 36. 

I have always found it fascinating to map the age at which someone’s big moment(s) happened. For a while, it was simply an idiosyncratic fad. Now, this habit is yielding an unexpected consequence – it is behaving as a clarion call from the great beyond.

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Post Number 82: Woman with a Turban

Before leaving for the office, Mum points me to a pink bag propped up on the table. I look inside and see a large, framed picture of her, wearing a Safa Pagdi (Rajasthani Turban) on her head. As the head of the health services in her region, my mother regularly gets photographed in power poses these days. However, this particular photo of her struck me. Every official function she attends as a chief guest, she’s gifted a Safa to symbolize her importance, something that is typically tied to men’s traditional clothing in Rajasthan. Isn’t it funny that the only way to emphasize her authority is through male symbology? It is as if the best of a woman pales in comparison to that of a man. 


Surprising.

Maybe I am noticing this especially strongly now because I have chosen to go through something where I grapple with labels every day. Unlike ever before, I feel acutely conscious of how I present. In the beginning, I believed that letting my work speak for itself is the best way forward. It partially still is, but it needs to be marketed too. Unless it is wrapped in pleasant packaging and tied with a pretty bow, it is like that tree in the forest that no one heard falling. You must be able to talk and do it well. You must be engaging, and be just the right kind of convincing, or else you could be eccentric. And you don’t want to be eccentric. Especially not an eccentric woman.


The next question is what makes the packaging and the bow pretty? My options are even more limited than my male counterparts. Be a woman of few words, and you’re reticent or underconfident. Be vociferous and you’re noisy. I am constantly teetering on the fine line between them. 


I envy my female friends who have figured themselves out or at least appear to have. They don’t sweat the minor details of others’ opinions and if they don’t agree with someone, they aren’t shy about calling it out. Some carry being loud as a badge of honour (as it should be!). They have figured out the games they need to play and how much they are willing to compromise. 

I wonder if men go through the same convoluted reckoning to find their voice. Do they second-guess themselves before confidently stating things — even when they’re wrong?

Post Number 78: A Year In Books

2023 was not my favourite year. I welcomed the New Year through the hallucinatory haze of a viral fever, recovering far slower than I had hoped to, missing out on friends and their life events. Barring a brief spell in February which, if I could, I would preserve in the formaldehyde of sunshine and spring, it seemed as though I could not find my footing and time kept slipping by. At many points in time that are privy to only a handful around me, I felt lost and confused, even hurt. But there is art, always, to tide you through. On days when things did not make sense, it was comforting to open a book, knock on the annals of time, and commiserate with writers and characters. These are some of the books that I read this year that healed my fragile heart, and reminded me of my place in the grand scheme of things. I will refrain from mentioning books that I re-read though I would argue there is more comfort in the certainty of an old story, like listening to anecdotes of oneself as a child. 

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Post Number 71: The Pathological Quest for Stimulus

It always starts the same way. The hands of time turn and reach the point in the week where capitalism declares me free for two measly days. It doesn’t free me; I’m just freed enough. “There is more than one kind of freedom, Freedom to and freedom from.”, goes a quote from Margaret Atwood’s ‘The Handmaid’s Tale’. I have freedom to exist and do as I please (or so I think) but I’m not free from society’s expectation to exist in a specific way. And then there’s the restlessness, snuggled in-between the two, barely concealed, poking at the surface. It asks, “What are we doing?”. It’s not the existential kind; It’s shallow, looking only at the next 48 hours, demanding a quick fix in an age of instant gratification.

The weekend brings with it an irresistible urge to step out, with an intensity that surprises me. This urge isn’t the whim of a child, one that can be fooled and misled by a stroll in the park and pointing to things. No, it must be satiated with effort. A change of scene. A change of clothes. A cup of coffee, a catch-up, an activity, an event. The whole shebang.

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Post Number 52 : A Case For Re-Reading(And Re-Everything Basically)

An essay exploring the need to re-visit old books, and more.

Today marks a full-circle moment for me as a reader, 6+ years in the making. A sub-conscious itch has been scratched. I’ve re-read ‘The Reluctant Fundamentalist’ by Mohsin Hamid and can now claim not only to have understood it but to have liked it too. But why should you, kind reader of the blog, care? Well, you shouldn’t, to be fair. But I hope you empathize with my sentiment of achievement. Because this book ‘launched’ my ambition of reading diversely, fuelled equally by unbridled curiosity and a bruised ego.

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Courtesy: Amazon.in

22nd March 2014 was my last Board Exam. A rite-of-passage had been…passage-d? I came home in a mental state that was common to me then – happiness at having written the exam, with sudden pangs of panic that I’d made an error, my percentage would drop, no college, no future – the usual overthinking spiral. A string of stress inducing entrance exams were a fortnight away and nearly two years of analyzing sin θ equations, monkeys hanging from pulleys, and seeing how Cyclohexa-1,3,5-triene reacts(that’s benzene, if you recall), were to (hopefully) bear fruit. But that night I put that aside and picked up this book, having refrained from reading for recreation all this while.

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Post Number 47 : The Fault In Our Stars

An essay exploring the modern culture of celebrity worship.

*Slight Spoilers for Watchmen, HBO Series*

Last week, I wrapped up my binge of the HBO series, Watchmen. The show (which is excellent, if a little convoluted) had many complex characters. My favourite was FBI agent Laurie Blake, member of the Anti-Vigilante Task Force. Laurie was someone who had lived her life as, with, and around heroes. She embodied layers of paradoxes – she was the younger Silk Spectre, daughter of two superheroes, ex-girlfriend to Dr. Manhattan but she had abandoned her vigilante days to work with the FBI to catch them instead. Despite her disillusionment, she went to those blue phonebooths to leave resentful but hope-filled messages to Dr. Manhattan. The country was full of phonebooths where people voiced their deepest prayers to an omnipotent blue being who’d left for Mars. Holding out for a hero.screen-shot-2019-11-01-at-4-58-41-pm-1572642227

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Post Number 42 : The Importance of Telling Different Stories

An essay exploring the need to read and write diverse narratives

I read ‘Beloved’ recently. Beloved is the Pulitzer winning novel by the African-American author, Toni Morrison. Toni’s novels have all focussed on life as an African American. Her characters have always been unapologetically ‘ethnic’ in their thoughts, actions, and beliefs. She was once asked in an interview if she’d consider writing about white people substantially, to which she had responded –

I have had reviews in the past that have accused me of not writing about White people…as though our lives have no meaning and no depth without the White gaze. And I’ve spent my entire writing life trying to make sure that the White gaze was not the dominant one in any of my White books.

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Post Number 41 : The Loneliness of Superheroes, Revisited

An article exploring the potential of showing vulnerability of the superheroes in Avengers

Warning : Possible spoilers ahead

I am not a huge Marvel fan. That’s not the greatest way to begin an article this week but it is what it is. That didn’t stop me from watching ‘Avengers: Endgame’ though. I was perhaps in the minority there even though I’ve read a fair amount of the comics and know the characters. Judging by the screams and shouts of the people in the audience as superheroes came and went, I definitely questioned my place in the hall. It was the sensation of being an outsider, like someone who is new to a social setting and can’t figure out what the joke at the party was about. However, this piece isn’t about that. While watching the movie, all that was playing in my mind was the article written by John DeVore called The Loneliness of Superheroes’.

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