Post Number 91: The Things We Never Say by Elizabeth Strout

So blind we humans are – so blind. To each other and to ourselves, moving through life as though through shadows, putting out a hand in the dark and thinking we have touched someone…But mostly we travel through life unsighted, grasping only the smallest details of one another’s selves, including our own. Thinking all the while that we can see.”

Reading Elizabeth Strout’s latest novel, ‘The Things We Never Say’, I found myself thinking of Deborah Levy’s memoir ‘Things I Don’t Want to Know’ which I had re-read recently. I thought it was a superficial connection which I had made due to a vague overlap in the titles but at one point, Strout herself linked the two- 

“He had said something like, “Why don’t people ever say anything real?” And now he knew why. Because to say anything real was to say things that nobody wanted to know. Or if they wanted to know, they would not care in the right way. Or even understand. It was a private thing, to be alive. He understood this now.”

I finished reading the novel but this sentence rattled in my brain – “It was a private thing, to be alive.” Did it mean that it was impossible to understand someone else? Or that one could never fully articulate what it meant to be themselves? Artie Dam, Strout’s protagonist, had seemingly understood something I couldn’t fully grasp. Granted, he had almost twice the years on this planet than me, and he was entirely fictional so he could learn and un-learn things within pages. Things he didn’t want to know and things he would never say. 

Read More

Post Number 90: The Burden of Untold Secrets (in Seichō Matsumoto’s ‘Point Zero’)

“Lo! Death has reared himself a throne

In a strange city lying alone

Far down within the dim West,

Where the good and the bad and the worst and the best

Have gone to their eternal rest.

There shrines and palaces and towers

(Time-eaten towers and tremble not!)

Resemble nothing that is ours.

Around, by lifting winds forgot,

Resignedly beneath the sky

The melancholy waters lie.”

-The City in the Sea, Edgar Allan Poe

What is the future of a relationship built on a foundation of secrets? That is the question that runs through the core of Seichō Matsumoto’s ‘Point Zero’, translated from Japanese into English by Louise Heal Kawai. Set in 1958 and told through the circumstances in the life of its 26 year-old protagonist Teiko, the story follows her search for answers when her husband, 36 year-old Kenichi Uhara goes missing days after their honeymoon.

Read More

Post Number 89: The banality of perpetual niceness (in Ann Patchett’s ‘Whistler’)

“Everybody lives,” Eddie said, because the creation of narrative tension was not his objective.’

That pretty much summarises Ann Patchett’s ‘Whistler’. 

Ambling through the Metropolitan Museum of Modern Art, 53 year-old Daphne senses that a stranger is following her. When he reveals himself to be Eddie Triplett, a man who used to be briefly married to her mother, the revelation unleashes a dam of memories from her childhood.

This chance meeting, 44 years after they last saw each other, leads Daphne down a pleasant path of recollections, reconnections, and realisations. What a joy to be reminded at 53 that someone will always see you how you used to be at 9! To piece together a chapter in your history that was nearly forgotten to the ebb and flow of time. 

Eddie Triplett is written to be a dream character. He’s kind, tender, well-read, easygoing, and charming to no end. Who wouldn’t enjoy the company of such a person? He works in publishing, has stacks of books by his bed, treats the children of his (ex)wife as if they are his own, and in the wake of the divorce, when asked to vanish, simply does. This last bit, the disappearing act of a generous man, is it an act of deference or indifference? We never know because Ann Patchett shuts down all possible opportunities for uncomfortable discussions. 

Read More